British Craft Trade Fair - Award Winners 2009

Our congratulations go out to Mike Hunter and Daniel Kavanagh, two of our exhibiting Scottish artists who have both recently won awards at the British Craft Trade Fair in Harrogate.

Mike Hunter’s highly skilled process of ‘Zanfirico’ glass blowing, earned him the 2009 BCTF Award for Excellence in design, innovation and creativity. This is the Selkirk based artists second accolade for excellence this year.

Daniel Kavanagh from Nairnshire won the Best Newcomers Award, which was presented in recognition of the quality, design and craftsmanship of Daniel’s work. He was also presented with a Highly Commended Award at the ceremony.

Celebrating Our 3rd Birthday In St Andrews

Over the Bank Holiday weekend, Artery Gallery in South Street, St Andrews is celebrating an exciting and enjoyable three years in the town.

There has been great excitement and enthusiasm from the many UK and overseas visitors along with tremendous loyalty and support from local people who have claimed it as their own favourite shopping “hot spot” since the opening in May 2006. The continued growth and variety of local, national and international artists has been the major factor in Artery Gallery’s development from the early beginnings of the Crieff gallery, to the expansion of the St Andrews branch, through to its award winning website, www.arteryuk.com which brings orders and artists from across the world.

2009 has started off very bright and busy thanks to Artery’s philosophy of providing art that is more affordable and accessible, with an increase in purchases of paintings which could be a result of less people moving house and instead wanting to wake up their own walls and living space with fresh, new art.

Contemporary paintings from exhibiting artists such as Derek Collins, Colin Carruthers and Jane Duckfield continue to prove popular purchases as well as newcomers Susan Lincoln and Robert Ryan amongst many others. Thought-provoking paintings from popular artists such as Steve Johnston, Andrew Baines and Scott Carruthers continue to inspire and attract collectors from far afield.

The Director of Artery says, “Despite the gloom out there, artists are producing some of the most exciting and vibrant work we have ever had. It makes for a really promising year ahead”.

Artery is constantly bringing in quality handmade art and craft, which means there is always something new. With birthdays, weddings, graduations and anniversaries all year round, there is increasing demand from people who are looking for unique handmade art gifts as opposed to high street mass-produced items. Scottish artists such as John McPhail, Ronna Elliott, Rob Mulholland, Daniel Kavanagh and Mike Hunter are all proving that Scottish craft is as strong as ever.

Handmade jewellery has continued to show great popularity in the St Andrews gallery with Artery exhibiting works from nearly 20 different designers, all very different and unique in techniques, materials and style. Wedding jewellery has also seen a huge increase this year with many St Andrews couples having their entire party bedecked in individual and memorable pieces from Artery.

Artery Gallery has become part of the fabric of St Andrews, and like the town, is full of great character, style and individuality and if the last few years have been anything to go by, it will celebrate many birthdays to come.

Artery Gallery at 43 South Street, St Andrews (01334 478221) and 22 King Street, Crieff (01764 655722).

www.arteryuk.com

*New* David Keenan - Handblown Glass Sculpture

We are proud to introduce glass artist David Keenan as our latest exhibitor to Artery Gallery in St Andrews.

His sleek, slender figures are formed from hand blown glass and finished with a smooth frosting effect that gives his work a wonderful feel of contemporary elegance.

David is an international glass artist, whose work has been in numerous specialist glass exhibitions, including New York, Puerto Rico, and London. His contemporary glass artwork is held in prestigious collections all around the world.

"Ribbon Dance" - £85

Training as a glass artist at the mark studios in Cheshire, David also spent 8 years working on a glass artwork project in the West Indies, during which time, he developed the style of contemporary art glass that has dominated his work. David has been commissioned to design several sculptures that have been gifted to royalty, including Her Majesty the Queen.

Each glass sculpture is individually handmade and signed by David.

We think you will agree that his work is absolutely stunning and really does have to be seen to be fully appreciated.

www.arteryuk.com

Mike Hunter's Award Winning 'Zanfirico' Glass

Mike Hunter - Zanfirico glass bowl

The highly collectible work of multi-award winning glass artist Mike Hunter of Selkirk, really is of the finest quality, each beautiful piece is hand crafted and intricately designed with great care and attention to detail. He has a real passion for working with glass, which shows in the quality and defines his years of experience gained from working with some of the finest glassmakers, including Wedgwood and Perthshire Paperweights.

The Zanfirico glass blowing technique, is a highly skilled process and a specialty of Mike Hunter’s that has earned him the 2009 BCTF Award for Excellence in design, innovation and creativity.

‘Zanfirico’ is the more commonly used term for the extremely technical glass blowing process of Twisted Filigree (Filigrana a retortoli).

Filigree, is a general term used to describe embedded threads or ribbons of coloured glass, either in parallel or network patterns. The Filigree cane is melted into the glass mass and re-pulled, often twisting as the cane is stretched.

Mike Hunter has been taught by some of the worlds greatest glassblowers and has developed his own unique style. His work includes both functional and decorative pieces.

Mike has received high recognition and exhibited his work throughout Scotland and England, most notably at the Victoria and Albert Museum. His beautiful creations are stocked at the most exclusive outlets in major cities such as New York, London, Hong Kong and Paris and of course right here at Artery Gallery in St Andrews.

www.arteryuk.com

New Andrew Baines Originals

"Escape of the Corporate Battery Hen" by Andrew Baines

We are very pleased to announce the arrival of 2 brand new original paintings by the much celebrated Australian surrealist, Andrew Baines.

In typical fashion, Andrew's work shows his usual element of humour mixed with day to day thoughts most of us undoubtedly have on our own lives, particularly when having to balance work and pleasure, or whether deciding on a career path, or even contemplating the tolls a career can have on oneself!

One thing is for sure about his paintings, a definite sense of calm can be felt when just looking at them. The soft tones and warmth within the skies provides the gentle ambience that anyone would welcome into a busy lifestyle.

www.arteryuk.com

New Scottish Jewellery Designer Exhibiting at St Andrews

Joanne Timoney is a full time desginer-jeweller, working from her studio in Glasgow. Trained at Glasgow School of Art with a background in Retail jewellery, her work is unusual, but still wearable every day.

Her unique designs use precious metals, acrylics and resin, blended together to create quirky and modern jewellery for all ages and occassions.

As every item is handmade, no two are the same and all designs can be modified to suit the wearers tastes.

www.arteryuk.com

The China Effect - Painting by Sheer Numbers

There have long been complaints on the forgeries of all kinds of goods from designer fashion to golf clubs, and watches to CDs and DVDs, all pouring out of China. This is nothing more than copying Western products for Western consumption. A strange way for any society to grow and prosper but what does this really mean in terms of our own values?

China's low wages and hunger for exports have already changed many industries, the art world, at least art for the masses, seems to be next, and is emerging as a miniature case study of China's successful expansion in a long list of small industries that when added together represent a huge chunk of it’s economic activity.

With the art market seen as a lucrative area, China continues to rapidly expand its art colleges, turning out tens of thousands of skilled artists each year willing to work cheaply. In the village of Dafen in particular, just outside Shenzen, factories have been set up purely for these art students and graduates to work, where the assembly line paintings are produced and sold throughout the world via the Internet.

The artists working on the assembly line divide up the colour, each possibly only using 2 or 3 colours. Working their way briskly along a line of up to 20 identical contemporary-style paintings, the artists will apply perhaps a few strokes of brown, while the next worker along applies the red, and so on.

The fact that the country is producing hand painted copies of old masters is only a small part of it. The main push by China has been in the broad market for works that retail for anything up to £200, with painters who work from postcards or images on the Internet. Due to the amount of interest the original works gain, popular artworks on all levels from across Europe and the US, are being copied in China and then exported back into the Western market. China's ability to turn what has long been an individual practice into a mass production industry will no doubt affect small-scale artists, as well as many galleries and various art colonies in the West.

When someone purchases one of these ‘Original Oil Paintings’, they are acquiring a piece that could have been painted by 10 different artists. So what is the advantage of owning such a thing? If all you want is something to decorate the walls and something that has no individual meaning or worth, surely a £1.99 poster would suffice.

So what can be done about the influx of copies arriving from China? As an art gallery, we are always trying to take steps to protect our exhibiting artist’s work, but the volume of artwork on the Internet is staggering and realistically impossible to keep track on what is being copied. The main aims are to protect the artists that create the original work and help the buyers protect their investments.

Perhaps copyright laws need to be more stringent. Previous laws were set up prior to this mass-production industry, so the principals and practice of copying art in general has changed considerably. If the laws on copyright were to be updated someway then that could go a long way in protecting the artist’s work.

www.arteryuk.com

New Works From Artery Gallery's Latest Success Story

We are pleased to announce that we have just taken in 2 new paintings from Perth based artist Scott Carruthers, exhibiting here at the gallery in St. Andrews.

"Out By My Side" - by Scott Carruthers

Scott’s paintings have attracted many admirers during his previous sell-out exhibitions at Artery Gallery, where his original style and thought provoking images have captured the imagination.

Largely inspired over the years by the art of Andy Warhol, David Hockney and LS Lowry, the biggest inspiration for his work has been his two young children.

The stories behind Scott’s paintings are based on the mix of nostalgia from his own childhood along with watching his two young kids grow up. Not necessarily making any comparisons, but being reminded of the nostalgic years and how their life today differs in these modern times, yet in some ways have some similarities to Scott’s own childhood.

Scott explains, “Each individual painting is telling its own story, however the description is only secondary to the image itself. I like to add my own thoughts behind the piece so that the viewer knows exactly what I was thinking regarding the particular painting and my reasons for it. Although this is designed to work alongside and compliment the image, I do find sometimes that the viewer has already made up their own mind anyway before they even know my written description. I am always fascinated by people’s thoughts on my work and their imaginations are understandably diverse”.

Last year Scott Carruthers signed a major publishing deal with one of the UK’s largest fine art publishers, which has resulted in numerous exhibitions of his original work and limited editions going on show across the country.

Scott adds, “It’s great to have my original work on show at Artery Gallery once again as it’s where I enjoyed my first success as an artist”.

Artery Gallery, based in both St Andrews and Crieff, has been a major supporter of contemporary artists over the years and continues to boost the profiles of up and coming artists, as well as the well established.

www.arteryuk.com

The Artery Gallery Guide to Pearls - Testing, Buying and All You Need to Know!

Here at Artery Gallery, we have a huge selection of genuine pearl jewellery with earrings, necklaces, tiaras, bracelets and even pearl hair slides available.

Buying pearls takes careful consideration, as they are a piece of precious jewellery, which will last a lifetime, seeing you through every trend and fashion imaginable. This is why Artery Gallery have decided to give you a helping hand with our pearl buying guide.

You need to learn how to know when a pearl is genuine, or simulated. A genuine pearl – freshwater, cultured, or otherwise, can be identified by rubbing it against one’s tooth. A real pearl will feel rough, gritty or sandy against a tooth, whereas a false, simulated pearl with feel smooth and silky. This will not damage a genuine pearl, but I wouldn’t imagine it would be particularly good for teeth, to do this on a regular basis!

Growing a Pearl

Pearls are formed in different ways, depending on what type of pearl has been developed. Saltwater pearls tend to come from oysters, whereas freshwater pearls tend to come from mussels – however, pearls can occur naturally in any shell, though a naturally produced pearl is very rare.

Cultured saltwater pearls are generally formed by injecting a tiny bead made from shell, along with a piece of oyster tissue, into a live oyster. The soft tissue helps form a ‘pearl sac’ and the bead irritates the inside layer of the oyster. As this occurs, the oyster starts to produce nacre, which is the mother of pearl coating found on the inside of any shell. By coating the tiny bead layer upon layer in nacre, it stops it irritating the inside of the oyster and this produces a pearl.

Cultured freshwater pearls are produced more or less the same way, but instead inserting a small piece of soft mantle tissue into a mussel, rather than a shell bead. This pearl growing technique for cultured freshwater pearls creates a pearl that is formed entirely from nacre without the tiny shell bead centre.

Names and Shapes

‘Potato’, ‘Rice’ and ‘Seed’ named due to their resemblance.
‘Baroque’ pearls are irregular shaped.
‘Button’ pearls are often flat one side and rounded on the other.
‘Coin’ pearls are grown flat like a coin.
‘Stick’ pearls (or ‘Biwa’) are long twig-like irregular shaped pearls.

Modern pearl culturing techniques now allow us to grow pearls in all different shapes, and can be seen in shaped such as stars or diamonds. Of course they would never grow like this naturally, but it makes a great alternative to more traditional styles.

Many people associate pearls with weddings, as pearls are traditionally white, however due to modern pearl growing methods, pearls now come in myriad colours, from emerald green, to deep red. Paler colours on the other hand are generally naturally occurring – pale pinks, peach, lavender, silver, gold, cream and white tend to be naturally coloured. The pearls take on their colour from the inside of the shell they are growing in.

Colours such as turquoise blue and fuchsia pearls tend to be dyed this way. Pearl dying techniques have changed massively over the decades, and now the colours look as real and even, as if it had occurred that way naturally.

Quality and Value

There are five points that measure a pearls quality – size, shape, colour, lustre and surface and the pearls are graded according to these points.

Pearls can vary greatly in size, but needless to say, the larger the pearl, the more rare it is, therefore more valuable, and worth a higher grade. The closer to a perfect round shape, will also improve value of a pearl, though a perfect round pearl is nearly impossible to find.

It really comes down to personal taste though, as many designers now make jewellery specifically from different shaped pearls particularly stick pearls.

The natural colour of a pearl also affects It’s grading or value, but obviously nowadays with new dying techniques, this isn’t as important as it once was. A colour is judged by basic tone, evenness and luminosity. Pearls from certain areas only ever achieve certain colours naturally – Tahitian pearls tend to be varying shades of blacks and greys (and are usually quite large) and South Sea pearls are found in shades of rich cream and gold.

The Lustre of a pearl is one of the most important things to grade a pearl. Lustre is graded from B – AAA. The lustre is the luminous shiny surface created by layer upon layer of nacre forming. Some pearls can appear chalky or cloudy on the surface, which is not as desirable. The best lustre for a pearl is AAA – a tip is to look in the surface of a pearl for your reflection. The clearer you see your reflection, the better the pearl. To reach perfection, the surface of a pearl would need to be flawless – no indentations, ridges or rings. This sort of pearl is extremely rare and valuable, as most pearls have naturally occurring surface indentations and ripples. This only adds to their unique quality though.

The worlds largest pearl was a 14.1lb pearl found in a giant clam in 1934, valued at 60 million dollars, and the most expensive pearls ever sold was in 2004 at Christie’s Auction. Reaching 3.1 million dollars. Although Artery Gallery doesn’t have any pearls worth a million dollars, we have many pieces of pearl jewellery to make you feel that way.

www.arteryuk.com

New Glass Artist at Artery Gallery - Mike Hunter

Multi-award winning glass artist Mike Hunter of Selkirk, on the Scottish Borders, is the latest exhibitor at Artery Gallery in St Andrews and Crieff. Mikes work really is of the finest quality, each beautiful piece is hand crafted and intricately designed with great care and attention to detail. He has a real passion for working with glass, which shows in the quality and defines his years of experience gained from working with some of the finest glassmakers.

He began his love affair with glass as a small boy, gazing with fascination at the colourful, magical twists contained in the marbles he played with. Later, as a 17-year-old apprentice with Wedgwood Glass of Kings Lynn, Norfolk, he remembers asking the master glassblowers how the intricately designed glasses he had seen at the museums were made. None of them could tell him.

It struck him then just how many skills of the 18th century were being lost as more and more machines were introduced to glassmaking, and he determined right then to figure out how they were made and to see if he could learn the techniques himself. On many trips to the museum, without being able to pick up the glasses, he peered into the display cabinets and took notes. After seven years of trial and error at the factory during his lunch breaks, he succeeded in perfecting a technique of embedding coloured glass canes and air into the stems of glassware – a technique not used commercially since Victorian times.

Mike went on to spend 11 years with Wedgwood, training under master glassblowers from the UK, Italy, Austria, Germany and Scandinavia, and attaining the position of master glass blower and coloured animal maker.

At his studio in Selkirk, Mike produces designs with cane-working techniques, creating traditional contemporary glassware styles based on the designs of 16th and 17th century Venice and 18th century England. He created his flagship technique of “vetro”, the Italian for glass, which demonstrates the combination of his natural talent for design with the highest level of technical skill. The result is a vast array of colour in design that speaks of his unique relationship with glass; the glass on the blowing iron becomes one with Mike as, with a sense of ease and speed, the molten glass is commanded into form – his “vetro”.

Mike has received high recognition and exhibited his work throughout Scotland and England. As well as a commission for Lord and Lady Milburn of Paxton House, Berwick-on-Tweed, he was invited to provide reproduction glasses for the Hornblower series on ITV, and he designed the trophies for the Scottish Businesswomen’s Association Awards in 1998 and 1999. His beautiful creations are stocked at the most exclusive outlets: Asprey and Garrards, New York and London, Harrods of Knightsbridge, The Room in Chelsea, Wing On Hong Kong, and Cameo in Paris.

www.arteryuk.com

Buying and Investing in Art

Any time is really a good time to consider buying and even investing in good quality original fine art, and you don’t need to be an Oil Tycoon to do so!

Imagine a loved painting hanging in your office where you can enjoy the pleasure of ownership throughout your working day, or a wonderful artwork that greets you when you come home. These are good reasons to buy fine art, but the reasons to buy do not have to be limited to just this.

Investing in quality fine art has consistently kept pace with the stock market over the last few decades now and recently, due to the rise in the international art market and the much-coveted decline of stock market shares, begun to out pace it considerably. That not only includes works by the blue chip artists both living and deceased, but also works by lesser-known artists. Paintings by artists who are selling in the best galleries, emerging artists with new art theories and even those by well known artists of the past can be very affordable.

Investing in fine art does not need to cost the thousands to millions of pounds that we read about in the news. These are usually only over inflated prices anyway specially targeted for Russian and Arab businessmen with over inflated bank accounts!

Anyone can purchase a good quality piece of art at an affordable price if they know what they want and where to find it. The Internet is a great place to do research on the styles you like and on the artists themselves and is certainly less time consuming and more feasible than visiting the numerous art galleries. If you can visit your local and national galleries to help get inspired, this all helps, and it has to be said that seeing art exhibited in an actual gallery does help you connect with the work.

The common outlook and probably best advice is to just ‘buy what you like’ first and buy as an investment second, but it is very possible to do both, to have a painting you love and also something that you know you will not lose anything on. A painting wont break down or need upgrading, and if it is a piece you love, it will never get old and tired. So unlike pretty much anything else you spend money on, it wont mean you will be out of pocket on it. This means it can certainly be seen as an investment, especially if you have done that little bit of research and obtained an artwork by an artist that does establish him or herself. Or you may even just get lucky and have a billionaire bidding war on works by the same artist, and this sort of profile boosting is something money cant buy!

For business owners, Investing in art can be an affordable way for any size of business to increase and maintain customers and client bases.

Many small business owners, especially professionals such as doctors, lawyers, dentists and financial advisors, have experienced the benefits of displaying good investment quality art in their offices and reception areas.

Recent studies have shown that products benefit with increased sales when marketed with fine art. Professionals who display good fine art in their places of business experience that their clients and customers view them as having more authenticity, authority and professionalism. Restaurant owners have also come to find that art helps bring in customers, not just prints for decoration but good quality fine art.

A business purchasing original art can also reap the benefit of an investment that increases in value over time. There can even be a tax advantage as the art, or part of the purchase price can be deducted, just like any other office furnishing. Depending on the work and its value there are other possible tax advantages to be had from loaning work to shows or even local museums.

The overall important factor remains however, that investment in art is the visual pleasure received and if it has the potential to increase in value, even better.

A good place to start looking for original, contemporary art is at Artery Gallery of course!

Buy British Made!

Since the economic downtown, everyone has become more wary of their own spending, and rightly so. It’s not just Britain’s economy that has seen a slide, but the world economy as a whole has slumped.

This does not mean though that no one has any money anymore, because employment is still high and people are still earning. What Britain needs to do now is simply look after itself.

Sir Alan Sugar was recently quoted as saying “Buy British to support the British economy”. This is not just a throw away comment to grab a headline, this is something that we should all think about doing.

There may well be some items that are unavoidable of course. For example, kids this Christmas will inevitably be after the usual computer consoles and electronics, and if you end up buying a British “Wii”, the chances are you have got the wrong thing!!

Unfortunately of course, so much stuff is made in China these days that it is very hard to find a British product, particularly in such areas as electronics and clothing.

The arts and crafts market however is a good example of where to find good quality British made products. Buying an artwork as a gift is ideal primarily because of its individuality coupled with the knowledge it has been handmade by a skilled craftsperson or artist. The receiver of such an art gift will also notice and appreciate the work and thought that has gone into finding and selecting the piece.

It’s not just a case of supporting the craftsperson as an individual business and helping to keep them in employment, but can also go someway in supporting the supplier of the artists materials, the framers, delivery and courier companies and of course the shop or gallery where you purchased it from. It’s a large circle of activity that gains the support with every purchase of a British made product.

So not only are you buying into an artwork that you can enjoy, or give to someone else to enjoy and treasure, but in your small way you are helping employment and the British economy stay as healthy as possible and regain it’s strength.


www.arteryuk.com

Prince's Trust Enterprise Award 2008

Here at Artery Gallery, we wish to congratulate Lora Leedham, one of our extremely talented jewellery designers, in winning the Prince's Trust Enterprise Award 2008 for the West Midlands.

(Lora Leedham accepting her award)

The Prince’s Trust Celebrate Success Awards West Midlands honoured the achievements of disadvantaged young people supported by The Trust who have succeeded against the odds, improved their chances in life and had a positive impact on their local community.

The award ceremony took place at the Birmingham ICC and was hosted by ITV Central presenter Joanne Malin. All the finalists were selected from the 3,800 young people supported by The Trust in the West Midlands over the past year.

Birmingham based jeweller Lora Leedham had a tough start in life, growing up in an area where underachieving at school and lack of opportunities were the norm. But Lora went in search of something more and was determined to make something of herself against such difficulties.

She took a huge gamble by starting up her own jewellery company with the help of The Prince’s Trust. The gamble paid off and her business is now booming with nearly forty stockists across the UK and Europe, including both branches of Artery Gallery.

Lora has been selling her work succesfully here at Artery Gallery for the last two years, with her Venitian Glass Heart Pendants in particular proving a massive hit with our customers.

Well done Lora and may your success continue.


www.arteryuk.com

Original Art for the Workplace

Well-chosen, good quality original art displayed in the workplace should be considered as being part of the welcome package of any company. It can provide a subtler and more innovative way of sending messages about the organisation, the approach and their people, and goes beyond the recognised company logo and corporate image identity.

In the increasingly competitive business environment, quality art is playing a key role in strengthening and communicating the image, ethos and values of a growing number of restaurants, hotel chains, companies and organisations. There are also other real benefits. Art has been shown to improve the staff environment and research has revealed that employees find art in the workplace extremely motivating. It makes people feel that their workplace is a creative and stimulating one. Staff often mention that they feel more inspired and motivated, when their stark and anonymous corporate walls are hung with uplifting art. As well as energising the working environment, artwork in the office has also been proven to have a subliminal effect in helping reduce stress among employees! What a great return from simply hanging a few well-chosen paintings!

Investing in original art can also show the companies involvement in supporting the arts community, whether local or national. Purchasing art can also be considered an investment for the business. Many world class businesses already buy original works year after year for this purpose and claiming them as investments and assets. Another plus is that the purchase of original artworks is treated similarly to that of office furnishings and is usually allowable against tax!

Visit the Artery Gallery website, pop into the galleries or call on St Andrews 01334 478221 or Crieff 01764 655722 to recieve any assistance you may need in purchasing the right artwork for your workplace.

www.arteryuk.com

Perthshire Open Studios - 27th Sept to 5th Oct

Artery Gallery in King Street, Crieff will be taking part in the first Perthshire Open Studios between September 27th and October 5th. During the Open Studios week, there will be three of Artery Gallery’s exhibiting artist performing demonstrations and talking about their ideas and inspirations behind their work.

On the opening day of Saturday 27th September, renowned Scottish artist Derek Collins will be giving a fascinating insight into his unique style of ‘Flaming Art’ paintings. Using various mediums and materials in his paintings, Derek creates wonderful impact paintings full of colour and texture. What really brings his paintings to life though is when he sets them on fire! That will definitely be something worth seeing!

Comrie based artist Peter Davenport will be giving talks and demonstrations on his abstract landscape oil paintings on Tuesday 30 September from 12pm.

And on Saturday 4th October, Christine Forsyth will be demonstrating her techniques in creating beautiful contemporary silver jewellery. She will also be giving talks on her ideas and designs as well as hints and tips on how to look after your silver jewellery. There will also be 5% off all Christine Forsyth jewellery all day.

The Perthshire Open Studios is a great way to see local artists showing their skills first hand and Artery Gallery is proud to be playing a part in promoting artists in Perthshire.

For further information on the demonstrations taking place at Artery Gallery, call 01764 655722.

Gallery opening hours during the event will be;

Saturday 27th Sept 10am - 5pm

Tuesday 30th Sept - Saturday 4th Oct 10 am - 5pm

Andrew Baines - 'Surreal Human Sculpture'

This short clip gives a brief insight into the 'Surreal Human Sculptures' by Australian contemporary artist Andrew Baines. This particular shoot was done at St Kilda beach in Melbourne, Australia.

Andrew has been creating these Human Sculptures for the last couple of years and uses them for his Surreal paintings for which he has become renowned for across Australia as well as here at Artery Gallery in Scotland.

In 2009, Andrew Baines is planning to create one of his Surreal Human Sculptures right here in St Andrews in conjunction with Artery Gallery.

We will post more information here in due course, so stay tuned and informed with the Artery Gallery News Blog!


www.arteryuk.com

Still Life Oil Paintings by Bing Wang - A Contemporary 'Old Master'

("Strawberry on a White Torrent" by Bing Wang)

We have just taken in 10 brand new outstanding Still Life oil paintings from Artery Gallery regular Bing Wang.

Bing Wang explains his works:

"Recently, I have used the Still Life format as a foil for my ideas. The painting is becoming a vehicle to express a state of mood through the fusion of Minimalism and Realism. Both the process of making and the result suggested an escape from the real and sophisticated daily life.

By depicting the simplest object within the simplest composition but executed in a masterful and astonishing realistic manner, I am trying to engage the viewers into a translucent and peaceful pictorial space.

It is not easy any more to be able to be ‘traditional’ in the contemporary context. But I am still conscious of the meaning of painting tradition and its needfulness in the present to engender resistance to the libidinous flex of media images.

My researches into techniques, media and pigment of the Old Masters and the painstaking working procedure have led my works to a highly finished surface and a sense of timelessness."

With prices for Bing's original oil paintings ranging from £595 to £895, you can have a modern day masterpiece without the price tag of an old one!

Visit our website to view the new Still Life oil paintings by Bing Wang now exhibiting at Artery Gallery in St Andrews and Crieff.

www.arteryuk.com

Caroline Slane - Irish Landscape Paintings

("Walking Home" by Caroline Slane)

Often known as Cal, Caroline Slane works out of her studio in Holywood, County Down. She has enjoyed much success in the Irish art community that has now extended to Scotland following a number of successful exhibitions in recent years with Artery Gallery, based in both St Andrews, Fife and Crieff, Perthshire. Her paintings, using the rarely used medium of Gouache, famously depict the small harbours and coastal cottages of Northern Ireland. She has found these landscapes of Ireland and the Western Isles a continuous source of inspiration, which is reflected in her vibrant and contemporary work.

Caroline is a relative of the late Marky Robinson who enjoyed worldwide success and acclaim, and it is to him that she attributes her artistic freedom clearly displayed in her work. He was a self-taught artist, whose artistic career spanned sixty years, although his working life led him from a merchant ship, to welding, even to boxing!

Marky acquainted himself first hand with ‘The School of Paris’, and European modernism - in particular, expressionism and cubism, which influenced his style and take on still life and landscapes. Often his work was met with critical indifference or distaste. In 1942, Marky sold a painting to Ulster Academy of arts for five pounds sterling, and he grew to be one of Ireland’s most popular artists, with his work selling at a value of up to £22,000 at auction today.

Markys influence can be clearly seen in Caroline’s work, as he was her first experience with art. It seems he not only taught her his methods of composition and style, but passed on an inherent talent and artistic ability.

Her original paintings can be found in collections not only throughout Ireland but also in Europe and the USA, and her new exhibiting works at Artery Gallery in Scotland have already gained huge popularity once again.

Log on to the Artery Gallery website at www.arteryuk.com to view more works by Caroline Slane.

Scottish Landscape Paintings

("Northern Skies" by Martin Devine)

Scottish artist Martin Devine has launched his latest exhibition of work at Artery Gallery in both St Andrews and Crieff.

Martin, original from Edinburgh and now based in nearby Linlithgow, employs colour theory, varying the use of tone and differing brush strokes to present a contemporary image of the Scottish landscape, aiming to change the perception of the landscape seen by the viewer.

Martin explains, “I originally discovered an artistic ability in portraiture and wildlife, moving onto landscapes which have now become my recognized field in a distinctive style”.

Inspired by minimalism, spare with detail, encouraging a regard for simplicity, the strengths of his watercolour paintings lie in the boldness of the colours he uses, perfectly outlined with Indian ink.

His paintings have proved a huge success in his short time with Artery Gallery, selling out all of his previous exhibitions.

The work of Martin Devine can be viewed online at www.arteryuk.com or by visiting Artery Gallery in St Andrews and Crieff

www.arteryuk.com

Scottish Seascape Paintings

("Machrinhanish" by Colin Carruthers)

Exhibiting at Artery Gallery in Crieff and St Andrews with his new work is internationally selling artist Colin Carruthers Due to the high success Colin has had in exhibiting his work previously through Artery Gallery, he has given the gallery exclusive selling rights, now allowing them to be the only gallery in Scotland to show his works.

Jason of Artery Gallery says “We feel this is a bit of a coup for us, being a Scottish contemporary art gallery and securing unique selling rights to the works of a successful artist. We like to work with our artists and try to help them progress. In his time exhibiting with us, we have seen a fantastic development in Colin’s work and this has been reflected in his success”.

Originally from Northern Ireland, Colin says, “I regularly travel to Scotland, where I find the high drama of the Scottish Coast, a constant source of influence for my paintings. There's a challenge involved in my work. With every canvas I attempt, I am searching for something. Beyond simply looking at my paintings and gaining an aesthetic pleasure, I do think it's important that they offer up space for thought"

The strengths of his canvases lie in their versatile response to nature as he grapples with the relationship between memory, place and emotion. His work challenges our assumptions of landscape and returns us to a new sense of engagement, both spiritual and practical, with our surroundings.

www.arteryuk.com