Caroline Slane - Irish Landscape Paintings

("Walking Home" by Caroline Slane)

Often known as Cal, Caroline Slane works out of her studio in Holywood, County Down. She has enjoyed much success in the Irish art community that has now extended to Scotland following a number of successful exhibitions in recent years with Artery Gallery, based in both St Andrews, Fife and Crieff, Perthshire. Her paintings, using the rarely used medium of Gouache, famously depict the small harbours and coastal cottages of Northern Ireland. She has found these landscapes of Ireland and the Western Isles a continuous source of inspiration, which is reflected in her vibrant and contemporary work.

Caroline is a relative of the late Marky Robinson who enjoyed worldwide success and acclaim, and it is to him that she attributes her artistic freedom clearly displayed in her work. He was a self-taught artist, whose artistic career spanned sixty years, although his working life led him from a merchant ship, to welding, even to boxing!

Marky acquainted himself first hand with ‘The School of Paris’, and European modernism - in particular, expressionism and cubism, which influenced his style and take on still life and landscapes. Often his work was met with critical indifference or distaste. In 1942, Marky sold a painting to Ulster Academy of arts for five pounds sterling, and he grew to be one of Ireland’s most popular artists, with his work selling at a value of up to £22,000 at auction today.

Markys influence can be clearly seen in Caroline’s work, as he was her first experience with art. It seems he not only taught her his methods of composition and style, but passed on an inherent talent and artistic ability.

Her original paintings can be found in collections not only throughout Ireland but also in Europe and the USA, and her new exhibiting works at Artery Gallery in Scotland have already gained huge popularity once again.

Log on to the Artery Gallery website at www.arteryuk.com to view more works by Caroline Slane.

Scottish Landscape Paintings

("Northern Skies" by Martin Devine)

Scottish artist Martin Devine has launched his latest exhibition of work at Artery Gallery in both St Andrews and Crieff.

Martin, original from Edinburgh and now based in nearby Linlithgow, employs colour theory, varying the use of tone and differing brush strokes to present a contemporary image of the Scottish landscape, aiming to change the perception of the landscape seen by the viewer.

Martin explains, “I originally discovered an artistic ability in portraiture and wildlife, moving onto landscapes which have now become my recognized field in a distinctive style”.

Inspired by minimalism, spare with detail, encouraging a regard for simplicity, the strengths of his watercolour paintings lie in the boldness of the colours he uses, perfectly outlined with Indian ink.

His paintings have proved a huge success in his short time with Artery Gallery, selling out all of his previous exhibitions.

The work of Martin Devine can be viewed online at www.arteryuk.com or by visiting Artery Gallery in St Andrews and Crieff

www.arteryuk.com

Scottish Seascape Paintings

("Machrinhanish" by Colin Carruthers)

Exhibiting at Artery Gallery in Crieff and St Andrews with his new work is internationally selling artist Colin Carruthers Due to the high success Colin has had in exhibiting his work previously through Artery Gallery, he has given the gallery exclusive selling rights, now allowing them to be the only gallery in Scotland to show his works.

Jason of Artery Gallery says “We feel this is a bit of a coup for us, being a Scottish contemporary art gallery and securing unique selling rights to the works of a successful artist. We like to work with our artists and try to help them progress. In his time exhibiting with us, we have seen a fantastic development in Colin’s work and this has been reflected in his success”.

Originally from Northern Ireland, Colin says, “I regularly travel to Scotland, where I find the high drama of the Scottish Coast, a constant source of influence for my paintings. There's a challenge involved in my work. With every canvas I attempt, I am searching for something. Beyond simply looking at my paintings and gaining an aesthetic pleasure, I do think it's important that they offer up space for thought"

The strengths of his canvases lie in their versatile response to nature as he grapples with the relationship between memory, place and emotion. His work challenges our assumptions of landscape and returns us to a new sense of engagement, both spiritual and practical, with our surroundings.

www.arteryuk.com

Wedding Gift Registration Service at Artery Gallery

You can now register your wedding gift list at Artery Gallery.

Our wedding gift registration service offers you the opportunity to commemorate your wedding day with a list of gift ideas for your friends and family to choose from.

Anything from clocks, to paintings and wall hangings are available, giving you the inspiration and opportunity to build your own collection of unique, original artwork.

When registering your wedding or civil partnership, you receive a catalogue of ideas and suggestions from us, which you can also add your own choices to. When you have chosen all the gifts you hope for, we will complete your registration by adding you and your partner-to-be to our website – with a web-page of your very own. This will include photographs, dimensions and prices of all the items you choose, with a secure, online purchasing function. Your friends and family will be able to browse the pages of your gift list before deciding on their purchase.

Friends and family can even combine their finances to purchase a larger item such as a painting. Paintings can be reserved for your list by paying a small deposit of 20%.

Create you own unique wedding gift list today here at Artery Gallery.

www.arteryuk.com

Portraying Essence and Emotion - Paintings by Steve Johnston

("Rainy Day" by Steve Johnston)

Here at Artery Gallery, we are proud to introduce the paintings from renowned artist Steve Johnston.

Born in Glasgow in 1956, Steve grew up in Dumfries before attending Art College in Carlisle. Whilst in his second year, he opted for a change of medium preferring photography to painting. Upon graduating, he moved to London to work as a freelance photographer working for magazines such as Vogue and I-D. His work was published in various books and magazines and was included in the 'Lives' exhibition at the Haward Gallery, London.

In 1991, when photography no longer became inspirational for him, he started painting seriously again concentrating once again on the medium that he had originally embraced. He says, “It was then that something clicked and I have not looked back since……painting is my life.”

He is always drawn to figures that create a great shape. Details such as ‘how’ someone is standing or ‘what’ they are doing come into play afterwards. It is the graphic shape of the ‘body mass’ that inspires the first ideas. Certain images can unlock powerful emotions which are separate from what the actual content of the picture could create if focused on in more detail.

He adds, "I approach my 'backgrounds' very much as an abstract painter - colours, composition etc are chosen instinctively rather than being pre-planned. Certain images can unlock powerful emotions which can be separate from the actual content of the picture....the aim is to portray and essences and emotion rather than a precise person or specific location.'

Steve always takes the shape of his figures from photographs, generally using side or back views to create a more anonymous character. For this same reason he prefers minimal backgrounds. Using a mixture of oil and acrylic on the same canvas, he likes to experiment and play with colour to draw as much emotional response from the image as possible. The backgrounds are always in acrylic, whilst the figures are always in oil. This is so the oil figure can be worked on in a way that will make it stand out from the background.

www.arteryuk.com

Tom Payne - "The Grunts"

Tom Payne graduated from the Kent Institute of art and design in 2000 and has gone on to become a successful self employed sculptor and model maker. His sculptures are generally figurative based and built using coiling techniques in high-grog crank clay.

He says “I concentrate on poise and character rather than realism but like my figure to be easily recognisable and relatable too. My finishing is normally quite rough as I like to show the surface and making-marks such as fingerprints.” Each ‘Grunt’, as Tom calls them, are one-off pieces, however they exist in themes and groupings.

The clay is first rolled into a sausage, making sure each one is roughly the same standing height, before being chopped and bent into their required seated, crouching or standing position. The details are then sculptured into the clay creating the basic shape of the figure together with the posture and hand gestures before further detailing including trouser folds and muscle tone is added. When the sculpture is complete and firing has taken place, the pieces are then quickly smoke-fired with wood chips to a very low temperature which gives the desired finished result.

A finished Grunt can quite happily stand or sit there on his own, but the best visual effect is experienced when they are placed into a group. This gives a fantastic and sometimes quite comical impression that some kind of conversation or debate is taking place between the Grunts.

Tom’s work has been displayed all over the UK as well as being involved in several high profile public art projects since graduating. Most notable of these projects include Tom helping in the construction of the site for ‘Dino Dig’ at the Natural History Museum in 2006. Tom was commissioned to create lifelike clay dinosaur bones that were to be buried in sand, ready for children to excavate during an exhibition at the Museum.

Prior to that In 2005, Tom was commissioned by a recruitment marketing company to make models for the ultimate 'People Brand' at the AHHRM Awards (Association of Healthcare Human Resource Management). The campaign was to brand Whipps Cross University Hospital in London as a Trust that has an exciting future ahead and recognises that their biggest asset going forward is their people.

Models were created based on real-life employees, one from every department within the hospital. Images of Tom’s sculptures were used for advertising posters that were displayed on London buses and taxis, in brochures and on the web. The campaign was well received both internally and externally including helping to win the 'Best Employer Brand' Award itself.

Tom was also involved in an environmental advertising campaign that was aired on MTV in 2007. He was asked to create a Polar Bear mould to be used as an animation for the television adverts aired on the channel through Spring of that year.

The sculptures by Tom Payne are on show for the first time in Scotland at Artery Gallery in both St Andrews and Crieff, and can also be viewed online at www.arteryuk.com

The Lie of the Land - Aerial Abstract Landscape Paintings by Peter Davenport

("Field Patterns, Holkham" by Peter Davenport)

Peter Davenport was born in England in 1931 to a French mother and Anglo/Scots father. Peter followed his father into the army and just like his father, eventually became a highly ranked officer himself. With the army being a major part of his early life, this meant moving around the country was common practice without settling anywhere for any great length of time. Eventually Peter moved to Perthshire and has been living there now since 1962.

After his time with the Army he studied drawing and painting at the Edinburgh College of Art.

During the 1970`s Peter went on to teach Photography at the Edinburgh College of Art and has worked in various branches of this field since then. With photography always being a huge passion of Peter’s, he bases many of his semi-abstract paintings on his collection of aerial photographs of the landscape below.

Combining the two different viewpoints of the landscape from above and from looking across the horizon, Peter Davenport’s contemporary oil paintings have developed into a very distinctive style unique to himself.

His latest series of works are of the coast line and patchwork-like field patterns of the North Norfolk coast. With this particular area of East Anglia striking a chord with Peter’s consciousness, the outcome of his paintings of Holkham tide line are full of passion and emotion with a vibrant mix of green and brown hues working with, as apposed to conflicting with, the sharp blue tones.

He has held various solo shows including those at the renowned Richard Demarco Gallery in Edinburgh and with the English Speaking Union. His paintings hang in collections across the United Kingdom, in Canada, France, Germany, Denmark and the U.S.A.

Peter Davenport now exhibits exclusively all year round at Artery Gallery in both Crieff and St Andrews where his oil on board paintings of landscapes and geometric abstracts continue to be well received by new, as well as existing collectors of his work.

His works can also be viewed on the Artery Gallery website at www.arteryuk.com

Artery Gallery Celebrates Two Years in St Andrews

Throughout the end of May, Artery Gallery on South Street are celebrating what has been an exciting and enjoyable second year in the town.

The many locals and overseas visitors to have visited the gallery have showed great excitement and support since the opening in the town in May 2006. The continued growth and variety of local, national and international artists has been the major factor in Artery Gallery’s development from the early beginnings of the Crieff gallery to the expansion of the St Andrews branch.

Together with the addition of popular Scottish landscape painters Martin Devine, Jane Duckfield and John Wetten-Brown, Artery Gallery has also introduced two renowned International artists. Italian painter and cloud appreciation society member Alberto Bertoldi was introduced to exhibiting in Scotland last year with great anticipation. His photo-realistic oil paintings of storm building and sunburst clouds transfix the viewer with their immense beauty. Alberto has arranged over 30 exhibitions of his work across Italy and has also had books published based solely on his cloud paintings.

Following on from Alberto Bertoldi, was the arrival of Alexandros Arabatzoglou, a truly renowned sculptor from Crete and heralded by many in the art world as the Cretian Henry Moore. Alexandros’ sculptures have been sold to private collectors all over the world, and demand for his work has been such that he has not exhibited in a gallery for nearly nine years, despite offers from some of the worlds most prestigious galleries. However, after striking up a relationship with Artery Gallery, Alexandros decided to end his gallery exile by exhibiting one of his hand carved sculptures in their St Andrews branch.

The Director of Artery Gallery explains “After meeting with Alexandros in Crete last year, I was amazed at his drive, passion and enthusiasm for his work and his art. For him, creating his sculpture is like breaking down to the bare bones of his inner soul, using his hands to carve into the stone and creating an extension of himself within each individual sculpture”. He adds “Here at Artery Gallery, we are always looking to expand on the superb catalogue of talent we exhibit, and inviting Alexandros to join us, knowing of the interest he has gained, is exciting for the gallery, for St Andrews, and for world art exhibited in Scotland”.

The collection of seascape paintings by Colin Carruthers have gained popularity with every one of his exhibitions, and during the last year this has seen Colin grant Artery Gallery with exclusive exhibiting rights for Scotland.

Handmade Jewellery has continued to show great popularity in the St Andrews Gallery with Artery exhibiting works from over 10 different jewellers, stretching from Brazil to Israel, as well as those from a little closer to home such as Dunfermline, Crieff, Oban and Stirling! All very different and unique in techniques, materials and style.

Artery Gallery has been a major supporter of contemporary Scottish artists over the past few years from the gallery in King Street, Crieff and their award winning website, and continues to boost artist profiles by introducing them to the busy Scottish town of St Andrews where it’s UK and overseas visitors can see some of the best contemporary artwork first hand.

Artery Gallery at 43 South Street, St Andrews (01334 478221) and 22 King Street, Crieff (01764 655722).

www.arteryuk.com

Rob Mulholland - Sculpture for Scotland

Rob Mulholland has been exhibiting successfully at Artery Gallery with his metal work for nearly three years. The vibrancy, and craftsmanship of his bowls in particular proving a real hit all year round.

He has recently had eight sculptures commissioned by Scottish Enterprise and Forestry Commission Scotland. The brief was to create representations of animals and birds as part of the natural food chain in the forest. The brief allowed for a certain degree of abstraction of the forms as long as they were still recognisable to the public.

Rob says, "My proposal aimed to develop each sculpture individually utilising different materials and methodology. I felt that it was also important to vary the scale and placing of each sculpture to add variety and interest to the trail."

The whole project has taken four months from the planning stage in January 2008 to the installation of the work and final completion at the end of April 2008.

The first of Rob's sculptures to be installed at the trail is the giant 'Osprey'. He explains, "With this sculpture I wanted to explore the form and movement of the bird. As the ideas developed I thought that it would be an interesting to construct the bird out of the type of small twigs that they collect to build their nests. I was keen to switch the materials and decided to use 6 and 8mm steel rode. The freedom offered by welding these small interlocking pieces allowed me to create varied masses within the form of the sculpture which makes the shape change as one moves around the Osprey. From certain angles the form becomes more abstracted."


Rob Mulholland was interviewed on BBC's 'Landward' programme which aired in May, by Nick Nairn on the installation of the Osprey sculpture, the first of eight for the new Loch Ard cycle trail in the Trossachs.

Rob's work can be purchased online at http://www.arteryuk.com/artists/Mulholland,Rob/

Buying Handmade Over The Mass Produced

The rapid rise of the large chain store culture and global manufacturing has left us furnishing and dressing alike. It’s almost like the consumer is being told what to buy because the shelves are full with goods of all the same design and colour as the next shop. Our ties to the local and human sources of our goods have been lost.

Mass production has always been with us, generally speaking as a way of ensuring quality. But this has not always been the case. Taking printing as an example, the earliest printers initially showed perfectionist tendencies, probably because the hand operated press machine and letter stamps were all created by hand to do the job. In the late sixteenth century, printing began to turn into an industry. It was largely considered at the time that these industrial printing practices should never allow commercial considerations to lower the typographical standard of books and printed documents.

But things inevitably went the other way in the nineteenth century after the invention of the steam press. The necessity to produce cheaper books and newspapers meant that standards fell, and mass production began to gain its poor reputation. It was during the nineteenth century that artist and writer William Morris began to worry that mechanised production was taking away opportunities for individual creativity, and to almost dehumanise people's working and social lives. Morris planned to counter these apparent problems with a revival of handicrafts. Numerous craft based associations, guilds and communities were founded, and the idea of something being hand made all of a sudden became rather fashionable. The customers for these hand made products were of course the better off for this change.

A memorial to what became known as the ‘Arts and Crafts Movement’ is now preserved at Standen in Sussex, a grand house decorated by William Morris himself.

It is often considered that buying a handmade gift involves that little bit more consideration and thought. You buy into something that is a unique, one off creation, and in today’s world that is still consumed by mass produced goods, it makes it all the more satisfying.

A handmade craft, whether it’s in the form of a painting, clock, pottery or jewellery, will be chosen for its pure individuality and will instantly reflect the personality of the purchaser.

If it has been purchased for the purpose of a gift, the buyer may well feel the satisfaction of supporting an artist or craftsperson as well as being confident of giving something of quality and uniqueness. Likewise, the recipient of the handmade gift receives something that is one-of-a-kind, and made with care and attention. It is the result of skill and craftsmanship that is clearly absent in the world of large-scale manufacturing.

If you are looking to buy, whether for yourself or someone else, buying handmade can help us reconnect with ourselves and therefore certainly better for both maker and buyer.

Above: Allan Craig Arts and Craft style copper clocks, mirrors and sconces
Top of post: Kerry Whittle, John McPhail and Tim Fowler

www.arteryuk.com

Elvis Presley - 'Flaming Star' to Flaming Art

Elvis Presley still receives much attention and admiration, not only for his catalogue of work but also for his whole image as a single package. His music still lives on today, along with this most iconic image he had, especially in the Pop art screenprints of Andy Warhol which have become some of the most recognised works by the artist.

The image of Elvis Presley is unmistakable, and Scottish abstract artist Derek Collins has incorporated it into one of his own renowned 'Flaming Art' paintings.

Derek has been creating his unique style of abstract art for many years, constantly developing and fine tuning his techniques. Derek creates these stunning pieces by pouring carefully selected special resins, powders, pigments and liquids on to canvas. His creations really come to life though when the main ingredient is added, fire!

He says, “I love the way other paints and lacquers affect one another, if one paint is not compatible the other paint does not want to touch it so it moves away or breaks the weaker paint and forms another effect. When you then add the thinners of different paints, another reaction takes place, too much thinner will make it flow out but set it alight and it will evaporate the thinners and seal off the paints.”

As well as these paints and lacquers, Derek has used all kinds of extra materials in his art, from sand and shards of glass to leaves and moss. He has even been asked on many occasions, by special request, to incorporate ashes from departed loved ones. Being an incredibly sensitive matter, it’s something Derek took on with great pride and care.

He says “Quite often people are left with loved ones ashes and are not quite sure what to do with them. Using the ashes in a painting is a great way to commemorate a life, and creates something close and personal that can be kept in the home and more importantly in the family for years and years to come.”

We have yet to confirm with Derek to find out if he used any of Elvis' ashes in this particular piece!!


www.arteryuk.com

Unique Handmade Jewellery

Most of the jewellery you'll find on the high street has been mass produced, but at Artery Gallery, all the jewellers exhibiting design and create their own jewellery by hand.

Using pure Silver together with Semi-precious stones, pearls or Swarovski crystals, sourced from all over the world, the top quality artists you find at Artery Gallery create truly unique pieces of beautifully handcrafted contemporary jewellery.

Buying handmade jewellery means that you have a unique or limited edition item, not to be seen on anyone else. Choose the jewellery you like and make a statement that reflects your personality and style!

We have Scottish artists such as Christine Forsyth creating wonderfully designed contemporary silver jewellery and Angela Learoyd using a vast array of unique stones and beads. Together with Angel Neal, famed for her wedding jewellery and often featured in many high class magazines.

Jewellers from across the UK can also be found at Artery Gallery, with the lampworking style of Rachel Dawes. Lampworking is the process of making glass beads using rods of different coloured glass and an extremely hot specialist torch. Decorations on the individual beads can be added with different coloured glass to create elaborate and complex designs.

Birmingham based Lora Leedham’s jewellery has a very feminine, fresh and romantic style to it and the designs portray an emphasis on texture. Inspiration is taken from a hobby of photographing nature and looking at its textures and forms. The jewellery, as featured in magazines, has also made TV appearances, one of which was worn by Camilla, Duchess of Cornwall.

One of Artery Gallery’s more renowned jewellers is Brazilian Patricia Gurgel-Segrillo. Following on from continued success exhibiting with Artery Gallery, her hand woven silver and gold jewellery has hit the spotlight in recent times thanks to one of her more famous collectors, British actor Orlando Bloom wearing her woven bands in publicity shots. Subsequently, links with the Orlando Bloom Files website have been set up exclusively with www.arteryuk.com to help promote her highly stylish jewellery, with Artery Gallery acting as distributors to Scotland for her work.

Buying and wearing handcrafted jewellery is a personal and special experience. All our jewellers are specifically chosen because of their innovative design, their high quality and real value for money.

Whether you are looking for earrings, necklaces or rings, with the jewellers we have assembled at Artery Gallery, we are sure that you will find the ideal romantic gift or a truly inspirational jewellery piece to enhance your image.

http://www.arteryuk.com/

Under the Influence of the Scottish Landscape

Exhibiting at Artery Gallery in Crieff and St Andrews with his new work is internationally selling artist Colin Carruthers Due to the high success Colin has had in exhibiting his work previously through Artery Gallery, he has given the gallery exclusive selling rights, now allowing them to be the only gallery in Scotland to show his works.

Jason Michaelson of Artery Gallery says “We feel this is a bit of a coup for us, being a Scottish contemporary art gallery and securing unique selling rights to the works of a successful artist. We like to work with our artists and try to help them progress. In his time exhibiting with us, we have seen a fantastic development in Colin’s work and this has been reflected in his success”.

Originally from Northern Ireland, Colin says, “I regularly travel to Scotland, where I find the high drama of the Scottish Coast, a constant source of influence for my paintings. There's a challenge involved in my work. With every canvas I attempt, I am searching for something. Beyond simply looking at my paintings and gaining an aesthetic pleasure, I do think it's important that they offer up space for thought"

The strengths of his canvases lie in their versatile response to nature as he grapples with the relationship between memory, place and emotion. His work challenges our assumptions of landscape and returns us to a new sense of engagement, both spiritual and practical, with our surroundings.

http://www.arteryuk.com/

Nostalgia and the Now

Artery Gallery welcomes new works from painter Scott Carruthers, exhibiting in St Andrews for the second time.

His paintings are largely inspired by a mix from the nostalgia of his childhood in the 70's and early 80's, along with watching his two young kids grow up. Not necessarily making any comparisons, but being reminded of his early years and how their life today differs in these modern times, yet in a way mirror his own childhood.

Scott explains his thoughts behind one of his works, "Our children seem to be growing up quicker all the time. If you don't believe it, think back to what you were doing and what you had at different stages of your childhood. I imagine it differs greatly.

Kids seem to get to a point where there just want to be older. Yet it will happen all too quickly and before they know it they will be forever chasing their youth.

He adds, "I don’t want my kids to turn around in 30 years and say to me “I was so concerned about growing up faster; I wish there was a way I could of slowed it down.”

I’m sure there are ways of helping that. It’s important that parents understand the need for an orderly progression through childhood. In the past there were important cultural “markers” that determined the ages at which certain behaviours and belongings were appropriate. Those markers seem to have disappeared, or they’ve certainly been moved downward."

"At best, you’re only a kid for about 12 years, with another 70 taken up by adulthood. Surely someone in the beginning didn’t think that ratio through properly!"

Scott's new works, including "Slow this Bird Down" and "Street Children", are exhibiting at our St Andrews gallery now.

www.arteryuk.com

Creative Scotland Awards

The Scottish Arts Council Creative Scotland Awards are amongst the richest arts awards in Europe. They reward, honour and celebrate established and leading artists in Scotland and raise the profile of the arts and their contribution to Scotland.

To learn more about these artists and to discover the range and diversity of these amazing lottery-funded projects, visit the Creative Scotland website at http://www.creativescotland.org.uk/


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